Thread: Poems you adore
Results 26 to 42 of 42
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6th Sep 2007, 11:26 AM #26
I adore most anything by Keats, but also:
"The Future"
The young boy stood looking up the road
to the future. In the distance both sides
appeared to converge together. "That
is due to perspective, when you reach
there the road is as wide as it is here,"
said an old wise man. The young
boy set off on the road, but,
as he went on, both sides of the
road converged until he could
go no further. He returned to ask
the old man what to do, but
the old man was dead.
Spike MilliganPity. I have no understanding of the word. It is not registered in my vocabulary bank. EXTERMINATE!
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6th Sep 2007, 9:33 PM #27
I think we had to read Robert Frost's 'The Road Not Taken' in school. It has stuck with me, regardless.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
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7th Sep 2007, 8:36 AM #28
One of the poems I love best is Digging by Seamus Heaney. It's one of the most evocative poems I've ever read.
Between my finger and my thumb
The squat pen rests; as snug as a gun.
Under my window a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.
By God, the old man could handle a spade,
Just like his old man.
My grandfather could cut more turf in a day
Than any other man on Toner's bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, digging down and down
For the good turf. Digging.
The cold smell of potato mold, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I've no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I'll dig with it.
Si xx
I've just got my handcuffs and my truncheon and that's enough.
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16th May 2008, 4:14 PM #29WhiteCrow Guest
Thanks to a BBC article on William McGonagall ...
http://news.bbc.co.uk/1/hi/scotland/...al/7402920.stm
I have his poem on the Tay Bridge disaster of 1879 going through my head. It's likeable, but also somehow awful at the same time ...
The Tay Bridge Disaster
Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.
'Twas about seven o'clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem'd to frown,
And the Demon of the air seem'd to say-
"I'll blow down the Bridge of Tay."
When the train left Edinburgh
The passengers' hearts were light and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
"I hope God will send us safe across the Bridge of Tay."
But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.
So the train sped on with all its might,
And Bonnie Dundee soon hove in sight,
And the passengers' hearts felt light,
Thinking they would enjoy themselves on the New Year,
With their friends at home they lov'd most dear,
And wish them all a happy New Year.
So the train mov'd slowly along the Bridge of Tay,
Until it was about midway,
Then the central girders with a crash gave way,
And down went the train and passengers into the Tay!
The Storm Fiend did loudly bray,
Because ninety lives had been taken away,
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.
As soon as the catastrophe came to be known
The alarm from mouth to mouth was blown,
And the cry rang out all o'er the town,
Good Heavens! the Tay Bridge is blown down,
And a passenger train from Edinburgh,
Which fill'd all the peoples hearts with sorrow,
And made them for to turn pale,
Because none of the passengers were sav'd to tell the tale
How the disaster happen'd on the last Sabbath day of 1879,
Which will be remember'd for a very long time.
It must have been an awful sight,
To witness in the dusky moonlight,
While the Storm Fiend did laugh, and angry did bray,
Along the Railway Bridge of the Silv'ry Tay,
Oh! ill-fated Bridge of the Silv'ry Tay,
I must now conclude my lay
By telling the world fearlessly without the least dismay,
That your central girders would not have given way,
At least many sensible men do say,
Had they been supported on each side with buttresses,
At least many sensible men confesses,
For the stronger we our houses do build,
The less chance we have of being killed.
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16th May 2008, 9:53 PM #30
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Like Jeff I'll always remember The Road Not Taken. I think it's a shame that Frost is regarded as overly commercial in the UK these days, as at his best he's brilliant. And Si picked my favourite Heaney poem as well.
My favourite poet is probably T.S. Eliot, and the poem of his I'd like to mention is The Love Song of J. Alfred Prufrock. I don't feel that there's much better for describing the insecurities we all have, especially that feeling of walking into a party alone. At about 14 I described how it made me feel as being 'like watching Eastenders to see someone more depressed than you and somehow gaining confidence from it'. I think I read poetry a little better now but the feeling is still the same.
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16th May 2008, 10:33 PM #31Captain Tancredi Guest
Dorothy Parker's poem 'Resume'- I know it from memory, so I don't even have to look it up:
Razors pain you, rivers are damp;
Acids stain you and drugs cause cramp.
Guns aren't lawful, nooses give,
Gas smells awful. You might as well live.
I quite like Frost too- he tends to be melancholy but in a personal and philosophical way so it's not all-pervasive. My absolute favourite, though is Alexander Pope's Essay on Criticism, which is far too long to reproduce here.
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17th May 2008, 12:00 AM #32WhiteCrow Guest
Well I was reading about William McGonagall today and quite amused by some of what I read. Certainly he was quite a character ...
http://en.wikipedia.org/wiki/William_McGonagall
Born in Edinburgh, of Irish parentage, McGonagall was working as a handloom weaver in Dundee, Scotland when an event occurred that was to change his life. As he was later to write:
The most startling incident in my life was the time I discovered myself to be a poet, which was in the year 1877.
It was with this that he wrote his first poem An Address to the Rev. George Gilfillan, which showed all the hallmarks that would characterise his later work. Gilfillan commented "Shakespeare never wrote anything like this."
McGonagall has been widely acclaimed as the worst poet in British history.[1] The chief criticisms of his poetry are that he is deaf to poetic metaphor and unable to scan correctly. In the hands of lesser artists, this might simply generate dull, uninspiring verse. However, McGonagall's fame stems from the humorous effects these shortcomings generate. The inappropriate rhythms, weak vocabulary, and ill-advised imagery combine to make his work amongst the most spontaneously amusing comic poetry in the English language.
Of the 200 or so poems that he wrote, the most famous is probably The Tay Bridge Disaster, which recounts the events of the evening of 28 December 1879, when, during a severe gale, the Tay Rail Bridge near Dundee collapsed as a train was passing over it.
Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.
(Modern sources give the death toll as 75.) One commentator remarked that "a lesser poet (one should note that the German poet Theodor Fontane did write a poem about this event as well) would have thought it was a good idea to write a poem about the Tay Bridge disaster. A lesser poet would have thought of conveying the shock of the people of Dundee. But only the true master could come up with a couplet like:
And the cry rang out all round the town,
Good heavens! The Tay Bridge has blown down."
McGonagall had previously written a poem in praise of the Tay Bridge: The Railway Bridge of the Silvery Tay "With your numerous arches and pillars in so grand array". Once the new replacement bridge had been built, without the least feeling of irony, he proceeded to compose an ode to the new construction: An Address to the New Tay Bridge “Strong enough all windy storms to defy”.
He also campaigned vigorously against excessive drinking, appearing in pubs and bars to give edifying poems and speeches. These were very popular, the people of Dundee possibly recognising that McGonagall was "so giftedly bad he backed unwittingly into genius".[2]
"Poet-baiting" became a popular pastime in Dundee, but McGonagall seemed oblivious to the general opinion of his poems, even when his audience were pelting him with eggs and vegetables. It is possible, however, that he was shrewder than he is given credit for, and was playing along to his audience's perception of him, in effect making his recitals an early form of performance art.[3]
McGonagall also considered himself an actor, although the theatre where he performed, Mr Giles' Theatre, would only let him perform the title role in Macbeth if he paid for the privilege in advance. Their caution proved ill-founded however, as the theatre was filled with friends and fellow workers, anxious to see what they correctly predicted to be an amusing disaster. Although the play should have ended with Macbeth's death at the hands of Macduff, McGonagall believed that the actor playing Macduff was trying to upstage him, and so refused to die.[4][5]
In 1892, following the death of Alfred, Lord Tennyson, he walked from Dundee to Balmoral, a distance of about 60 miles over mountainous terrain and through a violent thunderstorm, "wet to the skin", to ask Queen Victoria if he might be considered for the post of Poet Laureate.[6] Unfortunately, he was informed the Queen was not in residence, and returned home.
He died penniless in 1902 and was buried in an unmarked grave in Greyfriars Kirkyard in Edinburgh. A grave-slab installed to his memory in 1999 is inscribed:
William McGonagall
'Poet and Tragedian
"I am your gracious Majesty
ever faithful to Thee,
William McGonagall, the Poor Poet,
That lives in Dundee."
http://news.bbc.co.uk/1/hi/scotland/...al/7402920.stm
"He spent a lot of time on the streets of Dundee trying to sell his poems and performing them, much to the amusement of the residents.
"Poet-baiting became quite an activity for the students of the time, where they would encourage him to perform, and then they would throw eggs and vegetables at him.
David Kett from the library service in Dundee believes much of the criticism McGonagall receives is unjustified.
"He's really popular because he promoted himself to an enormous extent and he produced this interesting and unique verse, which has resonated down the ages," he said.
"Because some people take offence with it and ridicule it, they fail to realise what McGonagall is trying to say, which is a narrative of all the events he saw.
"It's bad in parts, but there are parts of the poetry where he does achieve a certain extent of lyricism, describing one of the country parks he mentions 'the bees buzzing in the lyme trees' - really conjures up the image."
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17th May 2008, 12:08 AM #33WhiteCrow Guest
Whilst doing further research into this, I've come across a poem so awful I can't stop laughing ...
http://en.wikipedia.org/wiki/James_McIntyre_%28poet%29
We have seen thee, Queen of Cheese,
Lying quietly at your ease,
Gently fanned by evening breeze;
Thy fair form no flies dare seize.
All gaily dressed, soon you'll go
To the provincial show,
To be admired by many a beau
In the city of Toronto.
from "Ode on the Mammoth Cheese" [2]
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17th May 2008, 10:44 AM #34
Just when you think it can't get worse, the last line comes out of nowhere and BAM! it does. That's fantastic!
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17th May 2008, 12:32 PM #35
Not adore as such but they make me smile.
Oh freddled gruntbuggly,
Thy micturations are to me
As plurdled gabbleblotchits
On a lurgid bee.
Groop, I implore thee, my foonting turlingdromes
And hooptiously drangle me
With crinkly bindlewurdles,
Or I will rend thee in the gobberwarts with my blurglecruncheon,
See if I don't!
And:-
Oh blobit of dribble
Oozing from the upturned corner of my mouth
You look to me,
Like you should be,
The thing that dropeth from the cloud
A tiny bit of thee is stuck upon my lip
A little more is stuck up my nose
Some has adhered to my hip
My eyes are open and glassy
My snot is thick and green
And from my ears,
Something obscene appears,
And I think it might be me.
The last two lines of the second one never fails to make me smile.
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29th Jul 2009, 8:16 AM #36
http://en.wikipedia.org/wiki/Robert_...line_and_death
I think Byron possibly never bettered himself than when he wrote these lines,
Posterity will ne'er survey
A nobler grave than this:
Here lie the bones of Castlereagh:
Stop, traveller, and piss.Remember, just because Davros is dead doesn't mean the Dalek menace has been contained ......
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19th Aug 2009, 12:10 PM #37
Actually I beg to differ with myself ...
SHE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that 's best of dark and bright
Meet in her aspect and her eyes:Remember, just because Davros is dead doesn't mean the Dalek menace has been contained ......
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19th Aug 2009, 12:37 PM #38
Personally, I've always liked;
`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"
He took his vorpal sword in hand:
Long time the manxome foe he sought --
So rested he by the Tumtum tree,
And stood awhile in thought.
And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.
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19th Aug 2009, 12:46 PM #39
Lewis Carroll? I to be honest never really got the appeal of the poem. It is a wonderfully mad poem indeed.
Remember, just because Davros is dead doesn't mean the Dalek menace has been contained ......
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19th Aug 2009, 1:13 PM #40
I preferred The Walrus and the Carpenter.
Si xx
I've just got my handcuffs and my truncheon and that's enough.
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19th Aug 2009, 1:21 PM #41
The Hunting of the Snark is pretty good too.
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19th Aug 2009, 7:10 PM #42
I prefer the Old Man A-Sitting On a Gate (or whatever the heck it's called)!
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